Meet Boylita also known as Aaron Kolfage, an enigmatic visual artist and DJ currently living and working in New York. I became familiar with Boylita’s audio work after being introduced to New York pseudo-label and party Shock Value NYC. I later came across her visual work, which she spends most of her time on nowadays, and was immediately drawn to the playful and critical use of vibrant anime aesthetics incorporated to produce abstracted prints and photographs.
It’s no surprise that anime is gaining mainstream traction in the United States especially with online streaming sites such as Hulu and Netflix drawing large audiences with new anime-programming that transgress the boundary of family entertainment. In many ways, anime is a space for discussing and mediating politics of the body and society. It seems much of the appeal of anime stems from its ability to capture and confront the general infantilization of our Internet generation and the general preoccupation with sexed “cuteness” while also being a space to portray and discuss social taboos, affects, and desires tinged on gender and sex. Boylita is the performative embodiment and lens of this space and brings to light the cultural contexts that inform this trend by incorporating the safe representational escapism anime provides for accessing these hidden subjectivities that continue to shape a post-internet identity.
I had the pleasure of interviewing Boylita and getting a better sense of what they’re about and uncovering more about her love of anime amongst other topics:
A lot of your visual work is informed by anime, where does this interest stem from? How specifically does it inform your visual work?
> oh i dunno *smiley face* i just love cartoons. video games, big budget fantasies, anything with amaze sfx, and reality [...]
Primarily known to the internet world by her handle Slowerblack, Canadian tattooer Jenna Bouma has been traveling the world for the last two years, covering people with her distinctively bold handpoked tattoos. Her simple, graphic images of sultry ladies, kuniyoshi cats, and strong reworkings of classic flash are the products of meticulously engineered hand tools that Bouma makes herself, and by simplifying her setup and reducing the level of minute detail, Bouma creates tattoos with a sense of mystery–almost teasing a viewer by suggesting that there is more than meets the eye. Bouma plans to settle down in a city TBD, but until then, she’ll be making appearances in Sweden and Italy with Guy Le Tatooer. We caught up with her before all that to learn more about her background and her work.
Firstly, how long have you been tattooing, and how did you get your start?
I started tattooing on my own accord in 2008. That summer, I moved to Vancouver after having spent my life in Edmonton. I had always been intrigued by tattooing, but I didn’t feel at all comfortable with buying a machine and doing it at home, so I stuck with a stripped-down setup and began making pretty whack tools for stick n poking my roommates. (By “whack,” I mean a pencil end, a needle, thread, a thimble and India ink.) I’d pick up overly expensive packs of nitrile gloves from shoppers drug mart and trot my ass home with a smile on my face, fully ready to get to it. My friends Chad and Colin had both got matching Maple Ridge straightedge tattoos, and another friend Mallory got the Minor Threat sheep on the side of her foot.
When I did those tattoos, I really [...]
We are truly excited to share the news with you that Sang Bleu 7 will be printed and available for you to hold early in 2015.
To announce this news we have made a film called ‘Gait’ about contemporary ways people share and explore foot fetish through the internet and spoken to NOWNESS about the new issue.
Sharna Osbourne made the film which was directed by Reba Maybury with creative direction from Maxime Buchi and Eloise Parry also took portraits of the feet for us.
Interview by Joseph Delaney with Maxime on NOWNESS:
Foot Fetishism with the Alternative Anthropological Bible
Cake-penetrating latex socks, ankles bound with cable tie, and water-drenched PVC platforms all become subjects of the lens of Eloise Parry for the latest series from underground title Sang Bleu. The 10-year-old tome started as the tattoo-themed editorial project of creative director Maxime Büchi, who continues to probe its surrounding subcultures alongside a career as a tattooist and art director for Mugler, Alexander McQueen and Rick Owens. Now operating as a multidisciplinary project with a fashion line under its umbrella, the title explores sexuality and fetish beyond the whips-and-chains image perpetuated by modern media and ‘mom porn’ books such as 50 Shades of Grey. In the lead up to a brand new issue announced exclusively on NOWNESS, the tattoo renegade talks Tumblr, porn and forging the next chapter for the London-based project.
Going back to the start, how would you define Sang Bleu‘s original impetus?
Maxime Büchi: Fetish and BDSM is something I’ve always had an interest for and I just applied the same approach that I had applied to tattooing and the other elements of Sang Bleu to fetish. Fetish [...]
Tattooer Tamara Santinbanez’s new book of illustrations named “LEATHER” is now available for pre-order via www.permanentsleeppress.com
Read our interview with Tamara from earlier this year here
It’s Nice That just created a brilliantly to the point interview with fashion photographer legend Hans Feurer about his new book. If you’re not familiar with Fuerer’s lusciously sensual images of women, it wouldn’t be completely surprising as his recently published book is the first ever dedicated to his work, which is strange as his most prominent photographs were made in the 60s, 70s and 80s. However the Swiss born photographer is still producing imagery for some of the most high profile fashion publications at the age of 79. An attention to symmetry and the erotic are often present in Feurer’s work, wet mouths, naked skin being provoked by water or sand and perfect details of women’s body hair repeat themselves in densely vibrant colours usually cropped in an obsessively gorgeous frame.
Enjoy Feuer’s straightforward answers below and Sang Bleu’s pick of our favourite work of his.
Kenzo in the 1980s. I had complete freedom of interpretation.
Your work has only recently been made into a book. How do you feel now when you look back over the photographs you’ve taken over your career?
You’re considered by many as a pioneer of contemporary fashion photography. Do you enjoy seeing your past work referenced in projects by others?
It’s always a compliment for me.
How has your work as a graphic designer and art director influenced the way you take photographs?
It’s all one thing: visual communication.
How has fashion photography changed since you first started out?
Digital techniques have created a huge new opportunity, but for me there is no change.
What’s your most unforgettable memory from a shoot?
A Masai shaman who didn’t want me to take his picture provoked a miniature tornado to appear in front of [...]
Tiril Hasselknippe is a visual artist and a writer based between Oslo and New York, and a new contributor to Sang Bleu.
Rider is a love letter and survival log written for her sculpture show The Shapers at Grünerløkka Kunsthall in Oslo which opened earlier this summer. (July 11.)
Read Tiril’s writing exclusively on Sang Bleu.
As photography succumbs to its fate as the art form of the everyman, illustration has once again hit its stride as a relevant and precious medium, embraced with gusto by the fashion world. Where once New York held the vital pizzazz of names like Tony Viramontes and Antonio Lopez, it seems today London has picked up where the Big Apple left off, with William Ling’s Fashion Illustration Gallery in Mayfair leading the pack as a hub for talented illustrators young and old. Celebrating their 20th century heroes amidst a crop of new talent, FIG opens its 2014 summer show this week with an exhibition celebrating the seminal works of the American artist and illustrator (and Studio 54 regular) Richard Bernstein. Bernstein’s painted, sliced, and stenciled celebrity designs graced the covers of over a decade’s worth ofInterview Magazine issues from 1972 into the mid-’80s.
Bernstein’s designs were often mistaken for those of Warhol (who would have turned 86 last Wednesday), but, as Warhol himself exclaimed: “Sometimes people think I do the cover ofInterview. Well, I don’t; I haven’t the time. But Richard Bernstein’s faces are wonderful. They’re so colorful, and he makes everyone look so famous.” Often crafted from celebrity portraits photographed by the likes of Herb Ritts and Albert Watson, Bernstein’s works evolved the hyper-coloured, pop aesthetic of the magazine’s early years—his shading, collage, and airbrush methods transforming the likes of Diane Keaton, Mick Jagger, Aretha Franklin, Stevie Wonder, Matt Dillon, and Elizabeth Taylor into dazzlingly graphic incarnations. “It’s interesting that some of the biggest photographers of the era were prepared to have their photographs painted over,” [...]