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delightfully ingenious and thoroughly convincing Corporate Cannibal
During the stretching sessions of my dance courses, I often happen to broadcast Grace Jones’ Corporate Cannibal piece and while working on the elongation of specific muscles & muscle group, I ask my students to focus on the experience of fascination, which I interpret to be at the crossroads of the imaginary and the corporeal.
Rather than asking how one would have to define the ontological status of fascination, I actually wonder why fascination proves to be a paradigm “par excellence” to cover, that is to say, both nominate and legitimate, contemporary artistic experience?
Pleased to meet you, pleased to have you on my plate
your meat is sweet to me
your destiny
your fateyou’re my life support, your life is my sport
I’m a man-eating machine
I’m a man-eating machineyou won’t hear me laughing, as i terminate your day
you can’t trace my footsteps, as i walk the other wayi can’t get enough prey, pray for me
i can’t get enough prey, pray for me
(i’m a man-eating machine)
corporate cannibal, digital criminal
corporate cannibal, eat you like an animalemployer of the year, grandmaster of fear
my blood flows satanical,
mechanical, masonical and chemical
habitual rituali’m a man-eating machine
i’m a man-eating machinei deal in the market, every man, woman and child is a target
a closet full of faceless nameless pay more for less empitnessi’ll make you scrounge, in my executive lounge
you pay less tax, but i’ll gain more backmy rules, you fools
we can play the money game
greedgame, power game, stay insane
lost in the cell, in this hell
slave to the rhythm of the corporate prisoni’m a man-eating machine…
i can’t get enough prey
pray for me
corporate cannibal…
digital criminal…i’ll consume my consumers, with no sense of humour
i’ll give you a uniform, chloroform
sanatize, homogenize, vaporize… youi’m the spark, make the world explode
i’m a man-eating machine, i’ll make the world explode
corporate cannibal…

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