1. I beat my wings but no longer make headway

    April 9, 2012
    by Clement Delepine

    Immanuel Kant: A word with you dear neighbor, you were going out?

    Birdkeeper: Great philosopher, the honor of your visit will serve in advance to excuse my lateness

    Immanuel Kant: I will come again

    Birdkeeper: Please, do me this kindness. Martin, my lad! Bring us some Franconia wine, the best.

    Immanuel Kant: Now, my dear birdkeeper, do you see your dovecot?

    Birdkeeper: In point of fact, I do see a dovecot. But your simple and profound remark spurs in me this sudden thought: Can I, in a single glance and impression, encompass building and sense of property, I mean my property?

    An interesting problem.

    Professor, can I see my dovecot?

    Immanuel Kant
    : Indeed, Indeed. Now if I may…

    Every day, every night, from my study where I work, every day of my life, since I chose to conduct my thinking with guidance from no one, I have enjoyed looking out the window at your dovecot.

    Birdkeeper: Oh Professor! Then you see my dovecot!

    Immanuel Kant
    : Nevertheless, for some time now your linden blocks my view and I no longer see your dovecot.

    Birdkeeper: Yet you will notice that from here, we can see my dovecot.

    Immanuel Kant: Yes, Mr Birdkeeper, but it’s no longer pleasing from my window and my work suffers for it. I feel like a gull flying against the wind.I beat my wings but no longer make headway.

    Trees move, Mr Birdkeeper, do you understand? So, to calm an old man’s anxiety, I have come to ask a favor. Would you kindly cut down that tree?

    Birdkeeper: Cut down a tree, Professor?
    Immanuel Kant: Cut down a man, Mr Birdkeeper?

    excerpt from Les derniers jours d’Emmanuel Kant, Philippe Collin, 1994


  2. Ariana Reines, Performance at Swiss Institute

    March 29, 2012
    by Clement Delepine

    As part of the exhibition Heart to Hand, our friend Ariana Reines will perform SWISSNESS, conceived of specifically for the exhibition. New Yorkers please join us at Swiss Institute, 18 Wooster St.

    SWISSNESS

    the cross: the x-axis and the y-axis.

    1. x-axis: transparency (jean-jacques rousseau)
    2. y-axis: neutrality (WWII)

    onto which we plot

    3. the sublime (alps)
    4. schizophrenia (babette straub)
    5. money

    and everything else in the whole wide world

    Ariana Reines


  3. The Hypothesis of the Stolen Painting

    March 27, 2012
    by Clement Delepine

    A film by Raoul Ruiz, 1979. Part 1 / 7.


  4. butterfly effect

    January 17, 2012
    by Clement Delepine

    In 1973, France decided to celebrate Jean-Michel Jarre as the embodiment of national electronic music at the detriment of Igor Wakhevitch, who was too much of a satanist. Last Friday, Standard and Poor’s finally decided to downgrade France’s credit note.

    No offense to Jarre’s fans but I see an evident causal relationship here.


  5. a very pleasant pineapple

    December 31, 2011
    by Clement Delepine

    a dog cannot lie

    if a lion could speak we would not be able to understand what he said…why do i say such a thing?

    what’s going on behind my words when i say: this is a very pleasant pineapple?
    take your time.

    we imagine the meaning of what we say say as something queer, mysterious, hidden from view…but nothing is hidden! everything is open to view!

    you can’t know this pain, only i can!

    it makes no sense to speak of knowing something in a context where we could not possibly doubt therefore to say i know i am in pain is entirely senseless

    are you saying there are no philosophical problems?

    there are linguistic, mathematical, ethical, logistic and religious problems but there are no genuine philosophical problems

    you are trivializing philosophy

    philosophy is just a byproduct of misunderstanding language. why don’t you realize that?!

    from Derek Jarman, Wittgenstein (1993)


  6. The eye was in the tomb and stared at Cain

    December 15, 2011
    by Clement Delepine

    Excerpt from Une sale histoire by Jean Eustache (1977).


  7. Ô temps, suspends ton bol

    December 4, 2011
    by Clement Delepine

    Le chant du styrene (literally the song of the styrene, homophone for the French word sirène meaning mermaid), is short film directed by Alain Resnais initially ordered by French industrial group Pechiney to highlight the merits of plastics.

    The text was written by Raymond Queneau in alexandrines.

    Unfortunately, I couldn’t find english subtitles.