nice wall paintings too

To see a fashion designer claiming Hip Hop as their main cultural reference is unusual, but the fashion intelligentsia might have to get with the program and get used to it. First Adam Kimmel and his ghetto-burlesque, americano-centrique presentations, and yesterday, Boris’ ode to Berlin’s underground (pun intended).

I am a biased observer. Everything I love was there, in these humid catacombs: contemporary, experimental fashion, heavy drum beats, sweat, skin and mysterious nocturnal atmosphere. The birth of Steam-Hop? (phew, maybe I should consider working in a yogurt brand, invent new names all day.) I never thought I would feel again the way I used to feel at the “Battle of the year” in the early 90′s, but yesterday, I did. And I am grateful for this.

In the below images you will NOT find images of the actual performance, since I was busy drinking at the bar and chatting with Maxime Ballesteros and Jen, causing me to not notice it had started. These are only images of the rehearsals. Basically, the final thing was that but everybody had amazing Boris-designed outfits. And with tons of people around.

[gallery order="DESC"]

classic

(make sure to read the disclaimer tag!!!)

signed: a proud owner!

Post Tags:
bay area – coldplay – mao tse-toung – dick – museology – luis buñuel – smooth

Dancers are No Noize (red jacket), Man (back jacket), BJ (striped shirt), Dreal (white shirt).

http://www.YAKfilms.com

As I was having an aimless walk in the neighbourhood, I lately bumbed into the Metanoia show (previously advertized on the blog) as well as Patrick Sullivan, the owner of the space, P.J.S. Exhibitions. An interesting meeting.

Patrick was born in Ireland. For the first two years of his life, Sullivan and his family lived on a farm in the small town of Kenmare. After immigrating to the U.S., the Sullivans resided in Westchester County, NY for four years then packed up and moved to New York City. Sullivan began his academic career at The Trevor Day School and finished at The Beekman School. Although he attended these institutions, both prestigious and educational in a conventional sense, Sullivan was also learning lessons from the city itself, continually drawing inspiration from street art around him. Around age 16, influenced by his family’s own collection and intrigued by the vibrancy of urban life, his interest in art evolved into passion. Since 2005, Sullivan’s been dividing his time between New York and Miami, mostly for buying and spectator purposes. His travels have awarded him the opportunity to not only meet and work with a handful of successful galleries, but to secure his relationships in the world of art dealing. For the past several years he’s been working with Art Watch, a program dedicated to prevent the over-restoration of paintings. After graduating from Christie’s Certificate Program in Modern Art, Connoisseurship and the History of the Art Market in June 2009, Sullivan has developed a keen eye for admiring and appreciating various media of artist expression. P.J.S. Exhibitions will be home to a series of exhibits, rotating every 45 days with a diverse selection of emerging artists’ work. Sullivan’s gallery will highlight work from photographers, tattoo artists and jewelry designers, amongst others, with every fourth exhibit aiming to benefit a non-profit cause.

METANOIA, ” a positive psychological re-building”, is constituted by a selection of works by Ryan Bonilla, Chris O’Donnell, Josh Egnew, Thomas Hooper, Jason June and Stephanie Tamez.
The show is taking place on 238 West 14th Street, between 7th & 8th Avenue, until August 29th.

Last week we escaped the 24/7 BedStuy heat by taking a day trip to Coney Island. We’ve still got two Polar Bear tickets burning a hole in our board shorts but we’ve opted to save Beyoncé in hyper drive for a later date. Instead we’re headed to the Jersey Shore to see what kind of freak shows she has in store on her boardwalks. Mural by SSUR.