Stefano Pilati’s exclusive YSL pieces for Atelier in NYC. The cashmere coverall in the window caught my attention. Perhaps it is because the Sang Bleu family has been designing black coveralls for an upcoming show in Japan. Perhaps because it is simply beautiful and working class.

I keep collecting images and moodboards, here are a few from the Sang Bleu folder:

She raised one eyebrow. Her nose curls up like there is a nasty smell. She opens her mouth and sticks out her tongue.

… and two very live ones!
at Salon 94, yesterday

pavane for two live princesses from Sang Bleu on Vimeo.

Lots of fun at The Crypt yesterday evening.

Predrag Pajdic & Virginie Puertolas-Syn present Dom Agius, Errikos Andreu, Barney Ashton, Joachim Baldauf, Sang Bleu, Stefania Bonatelli, Wren Britton, Carolyn Cowan, Fran Dileo, Alexandra Eldridge, Devin Elijah, Manuel Estevez, Roberto Foddai, Al Giga, Frances Goodman, Christophe Haleb, Katharina Hesse, Daniel Holfeld, Kobi Israel, Christina Kruse, Pascale Lafay, Scooter Laforge, Emiliano Lazzarotto, Mark Mander, Tupac Martir, Katarina Mootich, Michal Ohana-Cole, Maflohé Passedouet, Petra Reimann, Ricci/Forte, Pato Rivero, Yvonne De Rosa, Mauro Santucci, Iris Schieferstein, Erick Soler, Tapio Snellman, Wolfgang Stiller, Christopher Stribley, Lee Wagstaff  and Cyrille Weiner.

The Great Depression in the 1930’s saw Hollywood enter its Golden Age, a period many still describe as the Imperial Era of cinema. On the eve of WWII in 1939 MGM created Gone with the Wind, still one of the most successful films of all time. The Wizard of Oz, released the same year, became one of the most famous moving pictures ever made and Judy Garland’s rendition of Over the Rainbow has been voted the greatest American movie song of all time by the American Film Institute. Extravagant colour and elaborate sets delighted millions; timeless in their invention and splendour while the music, choreography and elaborate costumes of this period all became instant classics, both on celluloid and stage.

So now, while the financial world alleges we are once again in the midst of a grave depression, could Art once more succeed and exceed beyond all limits, providing a platform where all channels of creativity might flourish, stimulate and inspire?

With this in mind, Lingering Whispers has been born. An exhibition comprising of 40 international artists hunting for alternative ways of expression during this crisis. Art and Fashion will merge into one, both stage and catwalk, conscious and subconscious combined where imagination will be celebrated and the pigeonholed eliminated. Contemporary artists, poets, performers, fashion designers and photographers will unite in sharing their unspoken vanities, intoxicating fantasies, illusions, longings, dreams and desires. Lingering Whispers is about experiencing, not inert viewing. Art as a stage rather than four blank gallery walls. A glamorous, exquisite alternative to darkness and gloom.

& see this post

Evan Gruzis, AIDS 3D and Duncan Malashock show at DUVE Berlin

The Sedlec Ossuary (Czech: kostnice Sedlec) is a small Roman Catholic chapel, located beneath the Cemetery Church of All Saints (Czech: Hřbitovní kostel Všech Svatých) in Sedlec, a suburb of Kutná Hora in the Czech Republic. The ossuary is estimated to contain the skeletons of between 40,000 and 70,000 people, many of whom have had their bones artistically arranged to form decorations and furnishings for the chapel.

Jan Svankmajer is married to the surrealist painter Eva Svankmajerova.

Check out his website where books, VHS and even (!) DVD goods can be purchased.