Early writers of pulp science fiction use pseudonyms for a variety of reasons. There are three main types, which are the collaborative pseudonym, the floating pseudonym, and house names. A collaborative pseudonym is one that stands for two or more authors who work collectively on a story. A floating pseodonym is one that is available to anyone who wants to use it. A house name is a variation of a floating pseudonym, where a publishing company will often use such a name to cover the fact that there are two contributions by the same author. Another reason might be that the contributor does not want others to know he or she has stories published in a certain framework.
I am currently looking for one.

Photography by Yata Pessino.

3 days, 100 magazines, 1100 visitors and 1 dog.

Pretty O.K.

http://www.lurvemag.com/notes.php?id=565348074

A MAGAZINE curated by have just released their very first archive online, from when the issues went ABC instead of 123!

It all began with NºA featuring Dirk Van Saene, an initiative by Walter Van Beirendonck in Antwerp in 2001. See the issue here, and follow A BLOG featuring Dirk Van Saene. Stay posted for:

NºB featuring Bernhard Willhelm – June 2010

NºC featuring Hussein Chalayan – July 2010

NºD featuring Olivier Theyskens – August 2010

NºE featuring Viktor & Rolf - September 2010

…and the impending announcement of the newest curator for A#10, released in print on 10th October, 2010.

Anfang gut, alles gut. Beginning good. All good.
Presentation of the first Fanzine with a short introduction, sound recordings.

Actualization of “Pobeda nad solncem“ (Victory over the Sun) (1913) with contributions by Thomas Baldischwyler, Mareike Bernien & Kerstin Schroedinger, Nine Budde, Ruth May, Avigail Moss, Peter Wächtler, Susanne M. Winterling

The futurist opera “Victory over the Sun”, which was written and staged in 1913 in Petersburg wanted to “establish a collective work on the basis of word, painting and music”. Those are the words of the opera’s authors, the painter Kasimir Malewitsch, the musician Michail Matjuschin and the poets Alexeij Krutschenych and Welimir Chlebnikov, who wanted to create an “antiharmonious” work – against the spirit of their times.
In Beginning good. All good, an actualization of „Pobeda nad solncem“ (Victory over the Sun), will translate this programmatic on the basis of the historical text and documentation of its stagings and reception into the present. The project brings together about 40 artists, musicians, theoreticians and people from other disciplines in order realize the exhibition project in May 2011 – one year after the publishing of this issue. With the project we would like to dismantle the opera’s self-enclose form into those artistic fragments and traces, which seem to correspond with the present, to than reconstruct them as actualized reformulations. To make the pre-production visible, we will produce a series of three subsequent fanzines for may 2010, october 2010 and january 2011.

The project is initiated by Nina Köller and Kerstin Stakemeier.

O.K. Festival is the first event in the Netherlands that offers a survey of independent magazines from all over the world. Under the title ‘Welcome Magazines’ O.K. Festival presents the energy and the visual explosion of strange, beautiful and original magazines.

We won’t be there in person but Sang Bleu 5 will…

Villa Sonsbeek
Tellegenlaan 3

6814 BT Arnhem

Designed by Foxall associates. The special ultralight version font designed by b&p typefoundry is used all across the beauty / lifestyle section (as far as I understand).
Well done!