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Save the date! Novembre Magazine—Paris cocktail launch.
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when tattoo magazines used to be good
If I lived those days, I’d be missing them.
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Girls Like Us
Nice little surprise while flipping through the pages of the infamous Girls Like Us magazine‘s last issue: a paper on our friend Jessica Silverman, and on her desktop: Sang Bleu issue 3-4! (And subtly appearing at the edge of the images, Fuzi’s “Only Girls Can Judge Me” tattoo flash (that I happen to have tattooed on my left foot!). I love that!
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Novembre Magazine—Geneva Launch
We are proud to announce the launch of
Novembre, a magazine about Fashion & Contemporary Art for Switzerland.
Published by Sang Bleu éditeurs, Florence Tétier & Florian Joye,
it features (amongst over 130 contributors):
Aaron Schuster
Adeena Mey
Adrian Wilson
Angelo Cirimele
Ariana Reines
Catherine Baba
Damián Navarro
Daniel Baumann
Denis Pernet
Diane Pernet
Elisabeth Llach
Emmanuelle Antille
Estelle Hanania
Frédéric Chapon
Graham Tabor
Guillaume Pilet
Henrik Vibskov
Koudlam
Kris van Assche
Luc Andrié
Matthieu Lavanchy
Mauricio Nardi
Olaf Breuning
Paloma Presents
Piers Atkinson
Sybille Walter
Théo Mercier
Vikash Dhorasoo
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Kunstverein’s Brunch Lunch Launch presents Ginger&Piss #1
With contributions by Elvira Belafonte, Hula Capellinni, Billy Male and G. Alonso Oeuf !!!
27 June 2010, 2–5 pm
Performance by Matthew Lutz-Kinoy starting at 3.30 pmGinger&Piss is Kunstverein’s in-house magazine – a cross between an academic journal and a darts club newsletter. Ginger&Piss (the name a misquotation of Lawrence Weiner) is published twice yearly, with the first edition appearing in a short run. Each issue contains a maximum of five or six contributions of varying length, appropriate to the individual subject matter.
The remit of Ginger&Piss is simple; to offer an outlet for authors to say what they feel is vital (and not necessarily at all related to the art world) but were unable, unwilling or too afraid to publish previously. The concept dictates that each contributor writes under a pseudonym. The editors guarantee full anonymity.
The use of pseudonyms can be considered an answer to the cowardice of the art world, albeit a somewhat hypocritical one. By providing a platform for candid critique but at the same time allowing the author to hide behind a pseudonym, Ginger&Pisss recognizes its own complicit cowardice. In fact, Ginger&Piss fully embraces its somewhat misleading bravery, but maintains that it makes sense for now, for the current cultural climate.
Loud is the subject of the first issue and it is a broad – probably far too broad – theme (if a theme at all). In fact Quiet might have been more appropriate. But perhaps a clear, ‘honest’ voice is better suggested by volume than whispering.
Krist Gruijthuijsen & Maxine KopsaKunstverein’s website, for more information: http://kunstverein.nl
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Who is who, and why do they do it?
Early writers of pulp science fiction use pseudonyms for a variety of reasons. There are three main types, which are the collaborative pseudonym, the floating pseudonym, and house names. A collaborative pseudonym is one that stands for two or more authors who work collectively on a story. A floating pseodonym is one that is available to anyone who wants to use it. A house name is a variation of a floating pseudonym, where a publishing company will often use such a name to cover the fact that there are two contributions by the same author. Another reason might be that the contributor does not want others to know he or she has stories published in a certain framework.
I am currently looking for one.Photography by Yata Pessino.
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O.K. festival in Arnhem (16 – 17 – 18 april)
3 days, 100 magazines, 1100 visitors and 1 dog.
Pretty O.K.


























