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Travelin’ Mick is a photographer and journalist, who has been relentlessly roaming the world in search of the last remaining tattoo cultures of this planet to record and thus conserve them for posterity.

By visiting and documenting the last remaining traditional tattooing practices on all continents, he tries to preserve those cultures and show them to the world in images that express the beauty and pride of ethnic groups and traditional communities, who still bear the marks of their people.

Jeanne-Salomé Rochat: Where are you from?
Jack Donoghue: I am from Chicago.
Where is Salem from?
John and Heather met in high school up in Michigan, thats where they grew up. We all started making music together officially in Chicago.
How does your collective philosophy influence your practice?
We love each other, a lot of what SALEM is, is an expression of that love both fulfilled and unfulfilled.
And the other way around, what kind of impact does this entity have on your life?
Until recently SALEM had very little effect on my life… But now we are being flown all over, being set up in fancy situations and girls are skipping formalities.
What could break you?
Falling from a cliff on two hard rocks. Being rejected by something I truly give myself to… If I ever do that.
What’s the last thing you remember rejecting?
A kiss in NY a few nights ago.
What’s the last thing you gave? To whom?
A Givenchy shirt that was gifted to me, to a girl who it looked better on.
What car do you drive?
My dad’s old pick up truck but it just broke down on my way up to Michigan so I’ve been walking and taking the train.
You mentioned a matt e black Lamborghini.
Huh?
Yes. Or maybe I did.
I don’t know.
I don’t know either.
But it’s true that I do. In fact yes, I want a rich fan to buy me a 2011 matte black one with red tinted windows.
How does a fan lose its innocence?
Having expectations instead of unconditional love.
What does your workspace look like? How is it significant?
I was living in The Tokyo Hotel, downtown Chicago, but I kept having to travel and getting noise complaints so I moved my stuff back into the house I grew up in with my mom and her black Alsatian (Misha). My workspace when i am here is her dining room table with big monitors on it. I can work anywhere, but I like to have my room, and the places I spend time in set up in a way i like.
What would be served for breakfast at Hotel Salem?
Jello shots. Jello made with sparkling water. Lime green jello. Raw eggs.
If you had to invent the sexual position/act called “lime green jello”, what would it consist of?
The girl’s very jealous boyfriend watching while i bust her down.
What is your present screen saver?
A white pit bull. I love dogs.
How important is empty space?
Very.
What sets your music apart from others that produce similar material?
I never think about that. It’s not important.
Can you stand isolation?
Not really. I keep moving and try to stay busy and around other people because I don’t like being alone. I like swimming alone. I can be alone if I’m working on music, or walking… If I am moving, I can be alone.
How has solitude influenced your music? How does it clash with your culture?
John is really good at being alone, he is a much quieter person then me. He will push me to be still and I will push him to be more social and wild. Heather is in between and keeps it all together. I think those differences affect our music.
Would you like to move somewhere in particular?
I feel like living in a city on the ocean not in the 1st world.
Who would you like to do your voice over in the animated version of your life?
Naomi Watts’s mouth.
As a blonde or as a brunette?
BLONDE.
What is the last thing you bought?
Honestly DMT u_u… before that I guess a sexy air-freshener or Vitamin water.
What have you wanted to work on but couldn’t? What stopped you?
I would really like to work for Terrence Mallick, it just hasn’t happened yet.
What would Terrence Mallick listen to while watching you sleeping?
My rare heart beat.
Is car driving necessary for good music composing?
No but it is a good time for good music listening.
What have you buried lately?
We have been busy.
So what’s new?
John is going insane. He’s actually losing his mind.
When you decide to go insane too, what kind of intervention would it take to make you think twice about it?
Probably something about my mom or my friend Zulma.
What sense of yours do you wish was acute?
My ABs.
How do you like to dance?
Jamaican style.
How do you free things?
Let go.
Who influences you the most?
John.
What was the best garment you have received as a gift?
Givenchy Joker face shirt.
What is the lames t superpower ever?
Alex Mack, ROFL.
What virtual world would you have sex in?
I would be down to double team thousands of Hentai girls with Wolverine.
That’s old. What virtual world would you have sex in, in 2013?
Bratz da website.
Name a film that you wanted to like before you saw, but ended up not liking so much.
Forces of nature.
What do you wish could be found after you’re dead?
IDK IDC… I’ll be dead… Even bigger sharks? I would not want them to be found while i was still alive, sometimes I am scared of sharks : (
What else are you afraid of?
My birthday.
Is music deceptive?
I don’t think so.

Image: Cocktail Shaker, 1928 Enameled silver, ebony (Charter Company Wallingford, Connecticut, active c. 1930 – 1942 A division of International Silver Company)

image: Rare Gorham (again) Sterling silver art deco cocktail shaker set from 1925.

Image: 1925-28 sterling silver cocktail set by Erik Magnussen for Gorham Manufacturing Company.

Back To The Top. While looking thru inspiring photos from 2011 I came across one too personal to include in any batch not necessarily because of the photo but more because of the man in it. Lucky Number 13 goes to my Homie, Gabriele Pivotristeza. I snapped this image one day during Gabriele and I’s rendez vous at ‘Ricky’s House’ to try on the Power Outage aka RTWLR collection. It was minutes at Givenchy and then drinks at the Hotel Ritz, where our sneakers were tolerated “just this once”, to talk with friends and discuss a job then Ciao until later with Dre. I look back on 2011 with mad gratitude and love for him and Adrian and I look forward to 2012 and even further forward to a time when we reunite with our Fallen Soldiers, individuals that make the Next Level a beautiful place to be. Baby Girl, please, look after him. R.I.P. Gabriele and Thank You for making 2011 Lovely.

Dzine
People of the Nal (Sain)
2011
Resin, customized vintage jewellery, Swarovski crystals, leaf on wood panel 24kt gold
70 x 70 inches (177,8 x 177,8 cm)

Now let me start with an overall impression and I’ll get more specific as I keep posting: I arrived on the Wednesday. Went directly to the Salem show at the Delano (Hosted by the Hole). Caught up with Fabiola (first and last time I saw her of the week!), watched the show, then went to see Harif and Dani at the Soho house. I slept in a derelict room of the Shelborn Hotel and still made it to the fair on the next day though. Liam and Danny had not arrived yet. I saw a lot of very beautiful things things and basically from there onwards, everything is a big misty chaos of memories.

S♠LEM

A R T B A S E L

Olafur Eliasson
Your plural view
2011
mirror, stainless steel, aluminium
78 1/2 x 76 x 74 inches; 199.4 x 193 x 188 cm

Tomas Saraceno
As yet untitled (3+5 module makrolon cloud)
2011
acrylic, polyester rope, acylic hardware
cloud of 3/ 43 1/4 x 37 1/2 x 25 1/2 inches; 110x 95 x 65 cm
cloud of 5: 57 x 45 1/4 x 43 1/4 inches; 145 x 115 x 110 cm

Kumie Tsuda
Walking and memorizing (Echo Park)
2011
ceramic
176 x 173 x h. 19 cm
Tomio Koyama Gallery

more posts on the same topics soon!

Teki Latex (Sound Pellegrino/TTC, Paris) + Samo Sound Boy (Trouble & Bass, Los Angeles) + WTF (Toast Terry, Genève)

Precious DETAILS HERE.

Samuel Griesemer talks to us about a club in Buenos Aires, burritos, Samo Sound Boy’s appearance and more.

Jeanne-Salomé Rochat: Where are you from? Where did you grow up?
Samo Sound Boy: I was born in New York City and i grew up there and then in rural New Hampshire. I moved back to NY when i was 19 and then out to the west coast when i was 22 and now I’m 26. Honestly, moving to LA was the first time I really felt excited about where I lived. The city is so strange and endless… It never ceases to fascinate me. It’s much more wild feeling than NYC. I live in the middle of the eastside of LA but there are coyotes on my street at night, and rattlesnakes in the bushes.

Describe what «wild» means in 25 characters or less.
Wild is just uncontrolled and free.

What are your parents’ jobs?
My mom is a social worker and my dad is a writer.

What’s your dad’s last book title?
Signal & Noise.

How did you get introduced to Fugees 99?
Fugees 99 is the name of a club in Buenos Aires where I got my start djing about six years ago. Back then it was owned by a nigerian guy and another guy from South Africa. It was different than any place in the city. Really just a barebones dancehall. Very cheap drinks, a lot of fights, and sometimes really great music.

What happened to the music you produced at the time, do you have any records of it?
When I started at Fugees 99, I was only really djing and not producing. Producing for me followed pretty quickly about a year later. The first track I ever made wad a club remix of Dj Khaleds Brown Paper Bag. I basically just sampled the strings (that Khaled took from the Beegees), and one vocal line. My drums were very simple but the track actually worked pretty well. It was done in a pretty simple Baltimore-club style like some of Scottie B’s stuff which I really loved. Soon after I started sampling weirder, more obscure sounds and made my 1st real original track which was called The Bandit. It’s pretty rough sounding to me now, but I still think the ideas and sounds are cool. It was definitely different sounding than anything I knew about at the time.

How would it be for you to go back and perform there in 2011?
I would love to go back there but I would definitely have to come with a pretty crunk set. Especially if it was a weekend. The crowd wasn’t that into more experimental stuff, they just wanted to get buck to gangster reggaeton and rap… But I can throw down with that stuff too, so I’d probably be ok.

What does your present workspace look like? How is it significant?
My workplace is the living room of my apartment in LA. It’s two tables with an old laptop, one cdj, a dj mixer and monitors. I also have an analog mixing board that my friend’s dad found in a basement and saved for me. My studio is really basic and cheap. Nothing fancy at all which I like because my apartment has gotten robbed in the past, so i’m not really worried about losing a bunch of expensive stuff. Also I like to be able to work on music anywhere so it’s nice not to be tied down to a lot of equipment.

California. What car do you drive?
I drive an older Toyota 4Runner which is kind of a pain in the city but is big enough to sleep in the back. So you can go out to desert camp really easily with it.

What is on your Toyota 4Runner driving playlist?
I listen to a lot of Power 106, which is LA’s biggest commercial hip-hop station. It can be pretty bad a lot of the time but they do «the new at 2» which is like an hour of really new shit that a lot of times is pretty local: Songs like Teach Me How to Dougie, Toot it and Boot it, etc. were all premiered on that show. All the new jerkin stuff comes out there. Like there’s this new song called Throw it Back that’s these social kids doing like a NOLA bounce thing. It’s really crazy.

Does Power 106 broadcast in the desert too?
It doesn’t come in all the way out in the desert so you have to burn CDs for those trips. Actually i like to listen to a lot of dance music out there. It’s cool to hear club stuff in the middle of that much space and with no one around.

Where would you go out for a night in NOLA?
There are two really cool and forward-minded parties in NOLA that I know about. They are called Radionone and Bones respectively. They both have really good resident Djs and I’ve actually played both of them before.

What would you slow dance to at a prom there?
I would slow dance to a chopped and screwed version of Lil Wayne Miss Officer.

Who would you cast in the sequel of Samo Sound Boy’s life?
So if it’s the sequel does that mean i’m dead?

Yes.
In that case i would want Jeff Bridges to play the ghost of Samo Sound Boy.

Why must all hot and heavy American club stuff in music start in Chicago?
I think about that all the time, but I guess I really don’t know. I love it though because the midwest always gets disregarded when talking about the States. It’s always the east coast and the west coast, new york and LA. But for something as major as house music to come from Chicago is so significant. You read about clubs like The Warehouse in the early 80s, and everybody refers to it as being like church and religion. To experience that must have been so unreal, it’s hard to imagine.

Where would you go out for a night in Chicago?
In Chicago I would probably try to go wherever Dj Rashad was playing. I love his stuff but have never seen him live.

How do you like to dance?
I like to dance like Puff Daddy circa 1996.

Dance like Puff Daddy, in Chicago too?
I basically always try to dance like Diddy if I’m dancing.

What is the last thing you bought?
The last thing I bought was an al pastor burrito last night at the taco truck near my apartment.

How do you take your burrito?
I like al pastor burritos with pineapple and green salsa and lemon. That’s the best to me.

What do you think the vegan beef burrito is actually made out of?
I have no idea what vegan burritos are made of. The taco trucks I go to don’t really have those as an option… But I would guess some sort of soy bean.

What is the last record you bought? Was it a record?
Last record i bought was JS’ 12’’ Ice Cream, for 99 cents. So yeah it was a real record. I bought it to try and sample from.

Do you ever use your own voice in your work?
Yeah my own voice is in a couple of my own tracks but its really disguised with pitch adjustments and other mysterious effects.

Who would you like singing to you as you die of thirst in the desert?
Sade. Ha, that just seems fitting for a desert death song.

You’re planning a tour in Europe this summer, right?
Yes the plan is to be in Europe this August. I’ve never played anywhere over there, so i’m really excited. Details for this tour are still coming together but they will definitely all be online soon.

What does the liquor of European music taste like? What is it made out of?
To me certain places in Europe seem forward and open to new sounds in dance music. I mean london in particular seems like a place where every kid grows up making weird beats in their room and listening to Rinse FM.

So where would you go out for a night in London?
In London, I would to go to Boiler Room or to Fabric. Both of those places are legendary to me in different ways.

And after Europe, what’s next?
After Europe I really want to tour in Asia. That would be the dream.

What sense of yours do you wish was acute?
Right now i’m taking a lot of influence from older house music, stuff like Marshall Jefferson and Chip E, both old school Chicago guys. That rawness in their stuff is something i try to go after myself.

Who influences you the most?
Luckily i’m always finding a lot of inspiration and influence everywhere. I’d say the city of LA is probably my biggest overall influence. Just the way it looks and feels, the space, the streets, that’s all in my stuff.

Who would you make a burrito out of?
Nicki Minaj.

Do you have any upcoming collaborations you want to announce?
Yeah I’m actually working on some new tracks with my friend Jerome who is one half of the group LOL Boys. I’m also in the early stages of planning a label that will support more underground dance music from the US. But more on that soon!

Do you read magazines?
Yeah i read magazines. I read XXL Magazine on a pretty regular basis, but the last magazine i picked up was probably the latest Wax Poetics with Juan Atkins on the cover.

On what cover do you want your face to crash?
Rolling stone… Just kidding, Rolling Stone is wack! I’m just down with whoever’s down with me.

INTERVIEW originally PUBLISHED IN NOVEMBRE 3 (BUY THE WHOLE ISSUE HERE)

view here

Betony Vernon Closet Interview for StyleLikeU.com from StyleLikeU on Vimeo.

Although physical, as any frontier it is an agent of inclusion or banishment. Ultimately, a ravaged body sentences its owner to a form of social exile.

My friend Antoine Catala told me about a museum in Paris that somehow classified some of these exiles. It collects casts of skin diseases.

Located within the walls of the Hospital Saint-Louis, the Musée des maladies de peaux owns 4807 pieces predominantly manufactured by Jules Baretta between 1884 and 1913.

Michel Foucault, Le corps utopique, Radio feature: France Culture, 1966
French, no subtitles (sorry).