1. Kafka’s Monkey

    June 6, 2011
    by Eugenia Lapteva

    Fellow culture vultures in London: if ever I were to be faced with the difficult task of having to recommend a single act of artistic brilliance from 2011 it would without a doubt be the extraordinary play based on Franz Kafka’s short story ‘A Report to an Academy’, namely Kafka’s Monkey. With utter wholeheartedness and intelligence, actress Kathryn Hunter portrays the desperate fate of an imprisoned ape forced into the chains of humanity. Kafka’s philosophical amplitude and narrational craftsmanship are skillfully adapted into a touching piece of theatrical genius.
    Showing until 11 June at the Young Vic.

    Up until then I had had so many ways out, and now I no longer had one. I was tied down. If they had nailed me down, my freedom to move would not have been any less. And why? If you scratch raw the flesh between your toes, you won’t find the reason. If you press your back against the bars of the cage until it almost slices you in two, you won’t find the answer. I had no way out, but I had to come up with one for myself. For without that I could not live. Always in front of that crate wall—I would inevitably have died a miserable death. But according to Hagenbeck, apes belong at the crate wall—well, that meant I would cease being an ape. A clear and beautiful train of thought, which I must have planned somehow with my belly, since apes think with their bellies.

    I’m worried that people do not understand precisely what I mean by a way out. I use the word in its most common and fullest sense. I am deliberately not saying freedom. I do not mean this great feeling of freedom on all sides. As an ape, I perhaps recognized it, and I have met human beings who yearn for it. But as far as I am concerned, I did not demand freedom either then or today. Incidentally, among human beings people all too often are deceived by freedom. And since freedom is reckoned among the most sublime feelings, the corresponding disappointment is also among the most sublime. In the variety shows, before my entrance, I have often watched a pair of artists busy on trapezes high up in the roof. They swung themselves, they rocked back and forth, they jumped, they hung in each other’s arms, one held the other by clenching the hair with his teeth. “That, too, is human freedom,” I thought, “self-controlled movement.” What a mockery of sacred nature! At such a sight, no structure would stand up to the laughter of the apes.

    No, I didn’t want freedom. Only a way out—to the right or left or anywhere at all. I made no other demands, even if the way out should also be only an illusion. The demand was small; the disappointment would not be any greater—to move on further, to move on further! Only not to stand still with arms raised, pressed again a crate wall. (Excerpt from ‘A Report to an Academy’)


  2. pretty pretty

    May 30, 2011
    by Jeanne-Salome Rochat


  3. sa ligne

    May 22, 2011
    by Jeanne-Salome Rochat

    FUZI UV TPK Ma Ligne

    Photographs and texts: FUZI
    Concept, design: Jean Angelats, Simon Haenni, David Keshavjee: Maximage
    Editing: Andreas Koller

    Hardcover, 135 pages
    120 color images16 x 23 cm
    Edition Patrick Frey, Nº 98, 1st edition 2011

    BUY UT HERE & NOW


  4. Claudia de Sabe x Eastpack

    March 14, 2011
    by Maxime Buchi

    Last week I had the pleasure to attend to a little exhibition of paintings of my old friend Claudia. The exhibit took place at the Eastpack flagship store on Carnaby street. I also bumped into the entire Jolie Rouge London crew.

    Attending there was also an other old freind, legendary tattoo Artist Alex Reinke aka Hori Kitsune, hanging out here with my sister Jeanne Büchi and Her Husband Alejandro.


  5. san francisco dementia


  6. The Followers

    February 1, 2011
    by Ben Perdue

    Reproduction of a Peruvian burial wall (nichos) by artist Ximena Garrido-Lecca – showing at the Saatchi Gallery in Newspeak: British Art Now Part II. Wandering around I also found four pieces by old SB friend and contributor Maurizio Anzeri.


  7. extra pictures

    January 24, 2011
    by Maxime Buchi

    While I process the 7 zillions images I took at paris FW, Here are some extra images I had made at Boris Bijan Saberi’s performance in Berlin. As you will notice, they were shot on film, hence the delay in their publishing. I quite like forgetting rolld in my bag and re–discovering images later. It reminds me of a trauma I had as a kid, actually (not a too bad one, but one nonetheless): my father had found that I had got enough presents for Xmas, so he decided that some of them would not be given right away but later that year. Probably thinking that I would be really happy to get them then. When I finally got them back, later that year, not even, was all the excitement gone, but I discovered that the presents were really boring ones.