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O.K. Festival: 16 – 17 – 18 April (Arnhem, NL)
O.K. Festival is the first event in the Netherlands that offers a survey of independent magazines from all over the world. Under the title ‘Welcome Magazines’ O.K. Festival presents the energy and the visual explosion of strange, beautiful and original magazines.
We won’t be there in person but Sang Bleu 5 will…
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giuliano Fujiwara
Debut giuliano Fujiwara womenswear collection designed by Masataka Matsumura for autumn/winter 2010/11. Sleek mix of Eastern and Western design themes, including some origami-inspired pleating and garment folding. Check out the menswear too at www.giulianofujiwara.com
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Erik Tidemann
Erik Tidemann is a 28-yr-old artist from Trondheim, Norway. His white trash-influenced work ranges from sleazy paintings, to taxidermy-based sculpture; a unique aesthetic reflected in his rapidly expanding tattoo collection. This is just a short interview via email but I’d love to pull together a full-length feature on the up-and-coming Slade graduate in the near future. More work to come.
”I am mostly inspired by subcultures from neo-Nazis, KKK and extreme black metal to black people’s movements, Somalian immigrant gangs and gangster rap. But the redneck white trash hillbilly culture has been the one I have been studying the most. I often mixed those scenarios with mythic, demonic and often religious imagery. So often the work with its own context show the mythic picture of the undepicted artist as some alter ego of myself. Like I was some weirdo loner living in my mom’s basement never learnt to make art or think in concepts but just being there as some Daniel Johnston dude making his imaginary world.
”My Latest project or the one I am working on now is to make two black Canadian bears standing on two legs. They are gonna have their torsos completely shaved and tattooed while the skin is still soft. Instead of the bear faces I am gonna replace the face area of the head with a human skull on each one. My dentist who is also one of my collectors is helping me out getting the real human skulls and doing the paperwork which is cool of him. In the eyes I will have some sort of light. The two bears are gonna be for this club in Trondheim standing on each side of the DJ table holding it up with their hands. So they look as some sort of guardians up on the stage.
”Except from that I am showing my five headed wolf called ‘Nazi super science’ at Trondheim Art Museum in May and me and the American street sculptor Brad Downey is making a piece this summer together for this outside sculpture park in Norway. We want to make two trees standing in the ground as ground to air missiles so we want to hollow out the inside of the trees and replace them with a rocket fuelled core so they can be shot up in the air. Like the forest is going nuts decaring war or something. In October I have a solo show in Trondheim too.
”Tattoos? Yes. Did a one last Friday under my arm. It was a woman lying on her back with her big tits pointing up and wearing stockings. She cant walk since she has cocks instead of feet like wooden legs but they are flesh. Instead of a cunt she has the SS logo from the Nazis standing for sleazy sluts. Above her head she has green drunken letters saying Øoohboh.
”That was my last one. Except from that one I have most of my neck, troat, right arm, chest and stumack and feet covered. And some bits and bubs elsewere. But I guess I will have a full body suit someday. Its easy since my friends are all tattooists here in Trondheim so we trade back and forward our favours.”
Portraits by Linn Heidi Stokkedal
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full moon party in my head last night
I dreamt of a camera travelling over the surface of my body, expanses of skin and looming facial features. I could see the image. It moved over my teeth and plunged down my throat, taking me on a visceral journey into my esophagus. Then the camera took a similar voyage into my intestine and my cervix, making visible an architecture of glistening walls and pools of visceral fluid.
above: Albania.
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Sang Bleu featured in “Lingering Whispers”, a show curated by Predrag Pajdic
Predrag Pajdic is a London based art historian, editor and curator (graduated from Central St. Martins and the Courtauld Institute of Art) who has been exhibiting and curating in the UK and internationally, as well as writing and lecturing on contemporary art.
Sang Bleu will be featured in the show he is curating in London in May, Lingering Whispers.Does self expression flourish under pressure? Is creativity at its most acute in times of social, political and financial crises? More than anything, do the arts provide hope during periods of extreme difficulty? Asks Predrag Pajdic.
Lingering Whispers
06 May – 06 June 2010
Opening reception 06 May 2010 from 6.30 P.M.
Crypt, St Pancras Church
London NW1 2BA,
United KingdomExhibited artists: Dom Agius, Errikos Andreu, Barney Ashton, Milijana Babic, Joachim Baldauf, Stefania Bonatelli, Wren Britton, Carolyn Cowan, Fran Dileo, Alexandra Eldridge, Devin Elijah, Manuel Estevez, Roberto Foddai, Al Giga, Frances Goodman, Christophe Haleb, Katharina Hesse, Daniel Holfeld, Kobi Israel, Pascale Lafay, Scooter Laforge, Emiliano Lazzarotto, Mark Mander, Tupac Martir, Katarina Mootich, Michal Ohana-Cole, Maflohé Passedouet, Petra Reimann, Ricci/Forte, Pato Rivero, Yvonne De Rosa, Mauro Santucci, Iris Schieferstein, Erick Soler, Tapio Snellman, Wolfgang Stiller, Christopher Stribley and Cyrille Weiner.
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Wunderkammer: A Century of Curiosities
Image taken from a past exhibition at the Museum of Modern Art of NYC.
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Against a dark background
whichever way you look at it, the writing is on the wall for traditional catwalk shows (with mcqueen passing the fashion industry has lost someone who knew this all too well and embraced the challenge of finding new alternatives). this presentation for the new Grenoble line by Moncler is pure showmanship, staged at the driving range on a snowy Chelsea Pier in New York.
















