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Foolin’
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This post is dedicated to dedication.
I can’t remember where I found these but they’re worth spreading a little further.
If you’re going to do something you might as well do it properly.
The lady is Junii Salmon, who tattoos at Diamond Club in San Francisco with her husband Bill Salmond. Her suit is by Horitoshi (Thank you twice, Ross)
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Sang Bleu C L U S T E R S : 4—The Way Things Wait: THIS FRIDAY IN BRUSSELS
A proposition by Jeanne-Salomé Rochat.
As soon as the given constellation of bodies on stage gets off-balance, this very opening motion continues passing on throughout the entire length of the performance. One body propels the next, impulse after impulse, accident after accident. C L U S T E R S : 4—The Way Things Wait pictures both a relentless catastrophe and a complexly designed machinery in which the forces of nature are compelled to do the work.
The piece exploits the productivity of self-imposed constraints, triggering the fabrication of surprising connections and new combinations. Choreography turns into step-by-step problem solving, when each constellation of bodies conditions the possibilities for the next movement.
(Text by Busy Rorks)
8PM at MAPP Rue Léon Lepage, 5 1000 – Brussels – BE, with dancers Fabian Barba, Franziska Aigner, Tuur Marinus, Gabriel Schenker and Marisa Cabal.
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A worth listening & seeing roundtable conversation on “Tomorrow, In A Year” with The Knife (Olof and Karin), Planningtorock (Janine), Mt. Sims (Matt).
A Roundtable Conversation on Tomorrow, In A Year from The Knife on Vimeo.
‘A Roundtable Conversation on Tomorrow, In A Year’
With The Knife (Olof and Karin), Planningtorock (Janine), Mt. Sims (Matt).
Performed by Olivia Plender. Images by Hort.Have a look at The Knife’s new website: http://theknife.net !
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Tableaux vivants

Saint ORLAN, in her Baroque majesty, provides art fiends, devotees and religious pilgrims alike with all the drapery at her disposal.

I came across her website after reading a bit about Marina Abramovic‘s new exhibition. I love personal interpretations of religious imagery with a passion (no pun intended…), and to me the .gif is the modern reworking of the classic “poses plastiques,” so here are a few études.
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zurich
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If I Wasn’t Me I Would Be You – Harrell Fletcher
If I Wasn’t Me I Would Be You, 2004 – Christine Burgin Gallery, NY
A video by Harrell Fletcher of people’s scars with the stories of how they got them.
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