1. Dancing on the Ceiling (Art & Zero Gravity)

    March 06, 2010
    by Jeanne-Salome Rochat

    Dancing on the Ceiling: Art & Zero Gravity, is a major group exhibition in which contemporary artists explore—and on occasion recreate—the condition of weightlessness on earth. The exhibition will present the work of multiple national and international artists, including three newly commissioned pieces for the exhibition. Distributed throughout the public spaces in the building the exhibition is itself un-tethered from the confines of the traditional gallery exhibition paradigm.

    Arts Catalyst • Benjamin Bergmann • Denis Darzacq • Edith Dekyndt • Chris Doyle • William Forsythe • Julia Fullerton-Batten • Thom Kubli • Tomás Saraceno • Jane & Louise Wilson • Xu Zhen

    Dancing on the Ceiling will bring together artworks that use the metaphor of floating or weightlessness as an expression of the relationship of the individual to social, political or personal contexts. In addition, several of the pieces relate to lightness as akin to an agility of mind, freed of entrenched perspectives.

    Curated by Kathleen Forde, Curator of Time-Based Arts, the exhibition will be accompanied by an exhibition catalog including essays by Italo Calvino as well as interviews with commissioned artists Chris Doyle and Thom Kubli.

    The exhibition is also contextualized by a series of related performances, talks, films, and events; see the schedule for complete information.

    Robert Longo, “Men in the Cities”, 1980s

    NB: Don’t miss Aaron Schuster’s essay on levitation, love, and space sex in SB5!



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  2. steam punk tools

    March 05, 2010
    by Maxime Buechi

    David AKA Baibar comes from Andalucia. Jaen, a little town surrounded by mountains. He is one of the few local tattoo artists. Actually he most certainly is the best there. But thinking of it, he might be the best of Audalucia. He now also guests at LTW Barcelona. Sharing a booth next to Jondix. Watching David work reminded me of some of the world’s best Artists. He just knows, make you think he just reveals forms that are already there. After all, maybe he is one of the best in Spain. Hidden treasure. Says Jondix. The only reason why we will not know if he is one of the best of the world is that he doesn’t care. It is all about good work, not fame, not being presumptuous and starve for recognition. David also makes some amazing-looking and incredibly good tattoo machnes. He knows about the fabrication of Damascus steel, brutality & subtlety. With their Steam-Punk look, between bio-mechanical exoskeleton & industrial relique. Some treasures must remain hidden but deserve a legend.





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  3. ak 47

    March 04, 2010
    by Liam Sparkes

    MR X vs NWA



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  4. gucci show—dyptich

    March 04, 2010
    by Maxime Buechi

    Thank you Elisa for the invites and the fun time & gorgeous food! Next night was crazy too but I gotta find some time to write about it. Last weekend in Milano was overall crazy!



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  5. Sang Bleu 5 delivered today!

    March 04, 2010
    by Maxime Buechi

    5 tons to bring to the storage. Hard work with Jeanne-Salomé, Florence et Stella!



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  6. Giddy Londoners, Try Keep Friday 9th April Free

    March 03, 2010
    by Adrian Wilson

    Thanks to Eugenia & Pierre we’ve now got an SB London launch venue.

    Details shortly.



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  7. delightfully ingenious and thoroughly convincing Corporate Cannibal

    March 03, 2010
    by Jeanne-Salome Rochat

    During the stretching sessions of my dance courses, I often happen to broadcast Grace Jones’ Corporate Cannibal piece and while working on the elongation of specific muscles & muscle group, I ask my students to focus on the experience of fascination, which I interpret to be at the crossroads of the imaginary and the corporeal.
    Rather than asking how one would have to define the ontological status of fascination, I actually wonder why fascination proves to be a paradigm “par excellence” to cover, that is to say, both nominate and legitimate, contemporary artistic experience?

    Pleased to meet you, pleased to have you on my plate
    your meat is sweet to me
    your destiny
    your fate

    you’re my life support, your life is my sport

    I’m a man-eating machine
    I’m a man-eating machine

    you won’t hear me laughing, as i terminate your day
    you can’t trace my footsteps, as i walk the other way

    i can’t get enough prey, pray for me
    i can’t get enough prey, pray for me
    (i’m a man-eating machine)
    corporate cannibal, digital criminal
    corporate cannibal, eat you like an animal

    employer of the year, grandmaster of fear
    my blood flows satanical,
    mechanical, masonical and chemical
    habitual ritual

    i’m a man-eating machine
    i’m a man-eating machine

    i deal in the market, every man, woman and child is a target
    a closet full of faceless nameless pay more for less empitness

    i’ll make you scrounge, in my executive lounge
    you pay less tax, but i’ll gain more back

    my rules, you fools

    we can play the money game
    greedgame, power game, stay insane
    lost in the cell, in this hell
    slave to the rhythm of the corporate prison

    i’m a man-eating machine…
    i can’t get enough prey
    pray for me
    corporate cannibal…
    digital criminal…

    i’ll consume my consumers, with no sense of humour
    i’ll give you a uniform, chloroform
    sanatize, homogenize, vaporize… you

    i’m the spark, make the world explode
    i’m a man-eating machine, i’ll make the world explode
    corporate cannibal…



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