Pornai is the Ancient Greek word for prostitutes and is where the contemporary term pornography derives from.
Prostitution was considered an ordinary job in Ancient Greece, particularly in Athens. The sex trade industry was large due to the lack of socialization between men and ‘respectable’ female citizens beyond their immediate family. The large cities of the time were also full of men that had travelled without families to seek employment. Men in Ancient Greece often didn’t marry until 30, so prostitution solicited their sexual desires before these years.
A hierarchy of prostitutes existed in Ancient Greece and the pornai carried the lowest rank; pornai translates to whore or harlot. They were the streetwalkers or the slaves.
Female sex slaves existed abundantly in Ancient Greece due to the belief that the victor of battle had the right to enslave as many people as he chose. When lands, such as Thrace and modern day Turkey were overthrown in battle, women were captured, enslaved and sent to brothels. These women were considered barbaric due to their inability to speak Greek.
Sandals of the streetwalking Pornai have been found that have the word ‘Follow me’ (‘akolouthei’) studded into their soles; the footprinted message would imprint the hard packed sand that paved the cities and would lead to the streetwalking pornai and the favours she distributed down the alleys of the crowded, downtown areas such as the port of Piraeus and Kerameikos in Athens.
The streetwalking pornai had the ability to publicly display their charms to attract prospective clients and profited from the allure that their studded soles created as a recourse for publicity.
Today we asked the most beautiful tattooer Philip Yarnell to choose some of his favourite tattoos from his impressive collection and explain why he likes them so much.
My back piece was done by Liam Sparkes around three years ago at Shangri La, we decided on the goat because the original image is by one of my favourite artists Walton Ford. The image of the goat is based on the Faustian tale of selling your soul. The entire tattoo only took about two and half hours which is pretty impressive for a back piece of that size.
These two tattoos on the right hand side of my torso were done by Luca Font and Glue Sniffer. The heroin chic was done by Glue Sniffer earlier this year, I chose this image because I like how crude it is. Luca’s tattoo of the girls head was also created earlier this year at Sang Bleu and I love how classical and timeless this image is.
The top tattoo on my calf was done by Koji Ichimaru at the start of this year at Duke Street, I like this girl because Koji is well known for mixing up traditional Japanese and classic Western styles together, but this one was more unusual for him and most of his images are usually of Japanese content. The tattoo below that was done by Javier Rodriguez at Sang Bleu, I enjoy it because it doesn’t look like anything else I have on my body and there is a lot of character to the devils face.
Thomas Pollard created this great image of the character Suzy Bannion in the horror classic Suspira. For me this is a very iconic image [...]
Cristy Parave and her husband, Dean, are the unashamed bodybuilding Jesus lovers bringing couples together and introducing them to their wild lifestyle of swapping sex partners and Bible verses, Barcroft Media reports.
When the fitness gurus got sick of finding swingers online who couldn’t meet their standards, they decided to set up their own swinging network — FitnessSwingers.com. They have been touring the US ever since, meeting couples who want to join in and indulge in their holy promiscuity.
The couple first met at a bodybuilding competition, and simply don’t care what people say about their swinging. They firmly believe that despite their unfaithful marriages, the big guy upstairs doesn’t have a care in the world that they’re defiling their sacred vows.
“I don’t think God would be mad at what we are doing,” Cristy said. “At first I was conflicted, but the more we looked at it, the more it makes sense to us.”
The 44-year-old added that she felt mankind had been created to frolic and fornicate with one another.
“God put people on the Earth to breed and enjoy each other,” she told Barcroft. “I feel God is always with me and he has put us here for a reason.”
The hulking matchmakers have been together for seven years, according to Barcroft. They began their swinging escapades when the two met a brazen couple at Home Depot who blatantly asked them if they wanted to swing.
“I was so naive, I thought they were talking about swing dancing,” she said. “Afterwards we went home and looked it up online and it sounded exciting.”
Article taken from The New York [...]
The Musée d’Orsay is currently hosting an exhibition titled Sade: Attacking the Sun that explores the French writer, the Marquis de Sade’s provocative transformation of literature and the arts.
The Marquis de Sade is the famed controversial writer of the eighteenth and nineteenth centuries known for his explicitly erotic works, often violent, criminal and blasphemous against the Catholic Church. He’s the author of novels such as ‘Justine, or The Misadventures of Fortune‘ and ‘The 120 Days of Sodom‘, which he wrote whilst imprisoned in the Bastille for sodomy and poisoning prostitutes.
De Sade was a libertine, unrestrained and devoid of moral, religious or lawful discipline. The exhibition addresses de Sade and his radical questioning of limits, proportion, excess, notions of beauty, ugliness, the sublime and the body through themes of his ferocious and singular desire, his principle of excess and elements of the bestial.
Sade: Attacking the Sun’s focus is on the revolution of representation that his work unearthed; how it dissolved premeditated religious, ideological, social and moral notions. On display are numerous examples of work that have evidently been influenced by Sade’s philosophies, from artists such as Rodin, Gericaurt, Ingres and Rops.
Works on show that marry art and de Sade’s sadistic, violent and sexual fantasies are Cezanne’s ‘Portrait of a Strangled Woman‘ (1872), Picasso’s ‘The Rape of the Sabines‘ (1962), Goya’s ‘Cannibals Preparing Their Victims‘ (1800-08) and Rops’ ‘Violence ou Satyres’.
The exhibition presents de Sade as a veritable legend whose work, despite its blatant ignorance of contemporary (then, and now) notions of morality, influences art with its violently erotic philosophy.
Sade: Attacking the Sun is on show now until the 25th January 2015 at the Musée d’Orsay, Paris.
More information can be found on their website, here
Hairaiser makes images to satisfy his fetish for women with excess body hair. The internet found images of stereotypically beautiful women have been manipulated by Hairaiser in often subtle ways – a provocatively posed woman at first seems quite normal until your eyes travel down and you are enlightened with a downy covering of manly fur covering her legs. Some images are more blatant, Angelina Jolie or a 90s porn star with a good few weeks worth of growth on their faces are particularly delightful. There is something almost charming about the photographs that Hairaiser manipulates, verging on the in-offensive and absurd but simultaneously fantastically surreal. Some of the worlds most idolised modern women are turned into a drag queen’s dream. In a society where body hair on a woman is deemed unsightly its nice that Hairaiser has taken his fetish to the extreme that he has, even if this amount of body hair is unusual for most women to achieve.
We spoke to Hairaiser more about how his fetish has developed and the images that he makes.
Could you explain to us what attracts you to hairy women?
Why of course! I find it quite natural that a woman does not shave, and I honestly do not know why I am attracted to those who have a lot of hair. I like it and that’s it, I love to caress the legs of my wife when she hasn’t shaved, kiss her lips and feel the hairs of her upper lip. I think the fluff, when its thick, it is very feminine and sensual. Hairy women are beautiful to me.
At what point did you realise that you were attracted to hairy women? Was there a defining experience for you in your past?
Ever since puberty [...]
Egon Schiele: The Radical Nude opens at the Courtauld Gallery on the 23rd October and is the first major museum exhibition solely dedicated to the Vienesse artist’s work in the UK.
The exhibition focuses solely on Schiele and his nude subject which played a seminal role in his short but prolific career.
Schiele is known for his sexually provocative images that reinvented the classical depiction of the human figure. He challenged outmoded conventions of the nude by depicting the male and female figure in contorted poses and an unidealised form.
Themes that run throughout the exhibition are those of self-expression, procreation, sexuality and eroticism, acted out by various models- from himself to his sister, male friends, his wife and lovers, prostitutes, pregnant mothers and babies.
The images are often sexually explicit and erotically charged; Schiele was the first artist to address both human sexual anatomy and sexual psychology frankly through figure drawing. The explicit nature of Schiele’s artistic pursuits eventually criminalized him, he was imprisoned for two months in 1912 for contravening public decency.
The Radical Nude showcases thirty eight of his nude works that show Schiele’s talent for an explicit and raw depiction of not only the human form but human sexuality.
The exhibition runs from 23rd October until the 18th January at the Courtauld Gallery, London
More information can be found here
‘Since the day of my birth, my death began its walk. It is walking toward me, without hurrying’ Jean Cocteau.
Saturday marked the anniversary of the death of the French poet, artist and filmmaker Jean Cocteau. A touché a tout (a finger in every pie) Cocteau was often misunderstood. He walked a lonely path but was notoriously ahead of his time with inimitable elegance. In 1930 he produced 18 explicit drawings for the anonymously published erotic story Le Livre Blanc, written by Cocteau himself. Described as “obscenely pious’, the drawings are erotic and gives the viewer a visual expression to the sense of being torn between a fallen ideal, the sexuality of dreams and a slide into fantasy. They are not the symbols of simple, unequivocal obsession or a comment on the division between heterosexuality and homosexuality, but a quest for the pure, his personal truth. Sensitively drawn, the models came from a variety of backgrounds. Some were casual pickups; others were lovers and friends, including the precocious writer Raymond Radiguet and the actor Jean Marais.
“His body was more like the one I saw in my dreams than the young, powerfully equipped body of an adolescent: a perfect body, rigged out with muscles like a ship with ropes”. This fluidity of aesthetics and theatrics is in a constant state of movement and to Cocteau the ecstasy of joy and fear. The male body itself becomes fluid….
The body was sat slightly hunched but with vigour. His torso was long. His tan had faded. As he stretched his arms towards the sky the ridges of his sport shone through. Blood ran like the ink on [...]