Radical People Vol. 1 No.2 Launches next week


Launching on Election Day, the expanded version of Sang Bleu Editor-in-Cheif Reba Maybury’s newspaper is launching. Radical People is a newspaper celebrating the radical behaviour which has moved our society forward into a more compassionate place by subcultural icons now over the age of 50.

Featuring a cross section of the well known to the unknown, the newspaper features some of the most pioneering politicians, musicians, artists, writers, activists, performers and muses of the last fifty years.

Including the likes of politician Peter Tatchell, activist , artist and muse Caroline Coon, David Thomas of Pere Ubu, performance artist Franko B, ROY INC, Steve Ignorant of Crass, Christine Binnie of the Neo-Naturists, Lesley Woods of The Au Pairs and now immigration lawyer, tattooer Alex Binnie, the sex positive feminist comic book artist Melinda Gebbie, Princess Julia, anarcho-punk band Rubella Ballet, sexologist Tuppy Owens, punk icon Honey Bane, Janis Hetherington the first lesbian to have artificial insemination and notorious madam of 60s London, Bruno Wizard of the Homosexuals, Richard Adams one of the graphic designers of OZ magazine , Colin Abrahall of GBH and more.

By asking each person to re-count their own interpretation of the word radical or a radical memory, the stories range from the AIDS crisis, memories of the first days of punk, the Poll Tax Riots, capitalisms manipulation of authentic rebellion, important performance art events, gigs and night clubs, wetting the bed and much more.

The newspaper has specially commissioned portraits by Iain McKell and graphics by Jamie Reid.

The newspaper launch will take place at Donlon books from 6-30 -9pm.

An after party will take place at Vogue Fabrics from 12-3 with all proceeds going to Shelter in regards to homelessness rising by 80% since the Conservative government [...]

American Dreamer

Cali Thornhill-DeWitt is an artist born, raised, and living in Los Angeles. Taking inspiration from the tragedy of American culture; voyeurism, stardom, war (read: pop), his works deal with and question these values (think: motivational posters calling to ‘build more prisons’). Cali’s mission is not a political one, yet the accessibility of his imagery makes it hard to turn a blind eye to the obvious issues he likes to reference – a smiling eye, however.

As a likely substitute for attending school, Cali got involved with the LA music scene at a young age. Feeding that passion, today it manifests in regular collaborations with musicians from the likes of Antwon, Lil Ugly Mane, Hunx and his Punx, and even Faith No More, all for which Cali has either directed and shot videos, or created cover art.

We caught up with Cali in Berlin, one day after a special one-off presentation hosted by 032c. Showcased here was Cali’s Memorial series, a compliation of traditional gang jumpers – instead of members’ names boasting those of Cali’s favourite dead celebrities.

Your work features a lot of typography, which made me wonder whether you had some kind of graffiti background?

Barely. Like, not even worth mentioning. Like, graffiti in like ’89 and ’90, and not really like, going all the way with it. Someone actually, like 8 years ago said to me, I know you from graffiti. And I thought that was so weird, cos I don’t even think about graffiti. So, not really.

What do you think of street art?

Street art is a shitty word, and name. But I like vandalism, and I like gang graffiti, you know? But like street art, I don’t even care.

What’s your background, could you tell me a bit of where [...]

Ron Athey on Sebastiane

Ron Athey will be performing his iconic Sebastian presentation on Thursday night at The Coronet in London. After living here for six years he is about to return to his native Los Angeles. It’s an evening not to be missed, – this legendary performance has never actually been performed in the UK and it will take place under the guidance of Torture Garden. All of the costume’s have been created by Alexandra Groover except for the infamous Leigh Bowery coat in the possession of Athey. So to celebrate this important date we’ve spoke to Ron to find out more about this seminal piece of work.


For anyone who doesn’t know about your work, could you explain what Sebastiane is?

Sebastiane is my 5th performance using the martyrdom of St. Sebastiane as the premise for an action. From 1991 to the present time. The original inspiration was a hallucination triggered by the Mishima photographs from the 60s

The performance of Sebastiane at the Coronet Theatre is a group evening I’ve curated around the Sebastiane presentation, performed with Sage Charles, Jon John, and special guest from Glasgow: Russell MacEwan of Black Sun Drum Corps.  We’ll be performing again Friday night in Rome at the Giacomo Guidi Arte Contemporanea Bunker of Arts.

The sound is entirely percussion and one section of a call’and’respond with ecstatic vocals. The performance starts as a procession, continues on stage, and ends as a reliquary production line.

Could you explain what Body Probe is?

Body Probe was started by Torture Garden in the 90s, as a way of showcasing new work including extreme bodywork and performances of a sexual nature, in an evening of performance.  The performances within the large fetish club party are interesting, but more of an intervention, people want to dance and [...]

WHAT IS THE FEMALE GAZE? An interview with the impeccably progressive Melinda Gebbie

To put it frankly – If you’re not aware of who Melinda Gebbie is and your interests span feminism and countercultural history there’s been a huge gap in your field of interest.  Gebbie has been working as a comic book artist and illustrator since the 70s, emerging during the San Fransisco comix book scene and causing a respectable amount of controversy along the way. Her visions explore the depths of female sexuality in a way which still has the power to shock and disgust people to this day. Obscenity laws have followed her, seeing her books being ordered to be banned and burned right up until very recently. Most prominently Margaret Thatcher seized her comic Fresca Zizis (translating into Fresh Cocks in Italian) on the grounds of their ‘pornographic’ content in 1985 where they are still illegal.

Some of her most infamous work is that of the Lost Girls where with her husband Alan Moore, she spent sixteen years creating the comic which brazenly addressed fantasies of eroticism in the context to three fairy tale women of the early 19th and 20th century.

In 20th century underground culture, Gebbie hasn’t created the most shocking or controversial work, however the very simple fact that these ideas have spurred from a woman have deemed her work unacceptable by the establishment.

Besides from the brilliantly brave and provocative themes to her work, their aesthetic is totally original and exciting.

In light of one of her first ever solo shows at London’s Horse Hospital named ‘What is the Female Gaze we met up to discuss her impressive and inspiration career and life. The very fact that this is her first solo show really is a crying shame that her work is only being recognised and shared to a [...]

An interview with the extraordinarily interesting VIN LOS

VIN LOS is a young, gay man living in Montreal who by all accounts fits perfectly into the normal. He takes and shares endless selfies of his gym invested body to the happiness of his mass male audience, his stereotypical good looks are comforting to the eye and his social media presence possesses that strange normality where he’s collected a mass following while living a lifestyle most probably similar to that of your childhood neighbour.

Almost everything about him is so extraordinarily mainstream that this banality has morphed itself into utter bizarreness.

The average aspiration of any given individual now is that of a person fixated with luxury, wealth and confused consumerism. Capitalism with no aim and showing this off to your virtual world is now the non-challenged goal posts of a successful and happy life.

So why am I writing about VIN LOS now? If someone is really that normal, why on a magazine like Sang Bleu would we be giving an audience to such a conformist?

Where in many ways VIN LOS encompasses a conventionalist, his decision to capture our attention through his dreams which have engulfed themselves into his body modification is totally extreme.

VIN LOS has tattooed a variety of commercial words sporadically all over his face and upper body in his own handwriting. The words vary in size, most prominently the word FAME has been written on his forehead, followed by phrases and words like SCREAM MY NAME, OBSESSED, GUILTY, ICONIC, SEXY, GO HARD, FAME OBSESSED, WORLDWIDE, MY MAN IS STR8, MOST TALKED ABOUT, TOP OF THE WORLD, and many, many others.

The blatancy of VIN LOS placing his empty ambitions permanently onto his body takes the average quest for fame and fortune to a whole new level of dedication. You may have seen VIN LOS recently [...]

Cokney at the Sang Bleu London Contemporary Art & Project Space


The Sang Bleu London Contemporary Art & Project Space is happy to announce an exhibition with Cockney opening tomorrow.

CLASSIC presents:


In his first publication, comprised of two inseparable volumes, Chiaro / Scuro, Cokney contrasts his alternative life and work with the way it is seen by the vandal squad who, in his case, have become art-critic-prosecution-witnesses. Cokney’s illegal painting, from metro depots to law courts, via the Palais de Tokyo art centre, is ‘clair-obscur’, chiaroscuro, light and dark: the contrast of pigments, the darkness of metro depots lit with neon, obscure anonymity next to the reputation of a pseudonym, exiting clandestinity, entering judicial and cultural institutions. Arrested and convicted in 2012, then charged in 2014, the artist was fined 228,000 euros for voluntary damage, and is awaiting trial for criminal conspiracy.

Book 1: Chiaro, the white book.

When Cokney was released from custody after his first arrest in 2012, the police handed him two rolls of undeveloped film: rolls no. 10012A12 and 10112A12. The artist didn’t yet want to see the photos that were saved from the material confiscated for his criminal record. He will discover them, like the readers, in this first volume, which assembles interviews, memories, analyses, manifestos… pages written by Cokney, of course, but also by guests invited for the occasion, pages that are bound in Japanese style and which, once their folds are torn open, will reveal these forgotten, secret photos – so many fragments of his clandestine life rendered public with his arrest. While the digital era has turned the graffiti milieu upside down, updating it to the web 2.0 era, Cockney continues to photograph his paintings the old-fashioned way, not wishing to forget the fear of finding spoiled shots in his prints, of losing [...]

Antonio Mori – Captain of The Flying Dutchman



To start with, would you like to tell us when did you start to get interested in kink and Fetish?

Well, I get interested very early on in my life, to a certain extent I found about SM and quite hardcore SM before I found out about normal sexuality. When I was a child in Italy, by chance, I came across a bunch of fetish magazines. I was with some other kids my age, I must have 11 or 12 years old then, and we found those magazines that we thought were porn. It was the 80’s you know, at the time of those magazines. And they turned out to be fetish magazines, and where all my friends got disgusted by it when realising they were not normal sex magazines, but on the other hand I got really interested in them, so I kept them and started to buying them even if I was a bit young…

Where did you find those first copies?

In a ditch by a suburban road.  Someone must have thrown them out of a car on the way home or something.

Do you remember what magazine was the first one you found? Do you still have it?

Of course, it was called “I Moderni” (translated “The Moderns”) it was an underground publication in Italy in the 80s.  Most pictures were in black and white and I think a good deal of the buyers of the magazine were because of the classified ads and meet ups (this is way before the internet).  No I do not still have it, if anything my mother threw away tons of S&M magazines during my youth.

How did manage to buy them at the time?

I started to buy them a few years [...]