Brian Cassidy is the American book seller who collects the kind of material culture that dreams are made of. Just when you think the internet has served us every kind of reference and visual juxtaposition imaginable, a hard earned academic showers us with these counter cultural oddities. From the most personal of home made collections of photography found in the depths of the provinces, the most desirable zines to the rarest editions of iconic literature, Cassidy has it all and more.
We’ve trawled through his impressive website and chosen some of our favourite pieces on sale for you all to marvel at, from tattooing, pornography and subculture, Cassidy excels in the joy of academic research by discovering the unknown and forgotten.
LES TATOUAGES DU MILIEU by Robert Doisneau
An early and little-known work from Doisneau. In 1947 writer Robert Giraud (who was fascinated by tattooing), former police inspector Jacques Delarue, and Doisneau (uncredited) prowled Paris’ les Halles and the rues Mouffetard and Maubert looking for criminals, prostitutes, and other tattooed outsiders to photograph for this book. The result — which combined Giraud’s scholarly preface, Delarue’s tattoo designs and explanations (80 in total), and Doisneau’s images — remains one of the most important documents of postwar tattooing and underground culture, a record not only of the tattoos themselves, but of their often veiled significances. The project would have a lasting influence on Doisneau, tempering his more aesthetic and sentimental tendencies: “With [Giraud], I met people on the edge. A group of individuals who lived outside the law. Bob loved to listen to [...]
Rick AKA The Dragon has a fur coat fetish. He creates images using computer software of women wearing enormous fur coats engulfing 90% of their bodies and then shares the images on his Flickr account where you can find him by his user name ‘dragonmaster12′.
The Dragonmaster creates hundreds of images on computer software to fulfil his fetish of women quite literally drowning in fur coats. What is fascinating about these images is that their reality could be so easily achieved. Google search ‘woman in fur coat’ and thousands of images will surely appear. Or alternatively Rick could photograph a woman wearing a fur coat to share on the internet. Its the fact that these photos have been augmented from inception by Rick into a situation that has never existed that is so absorbing.
There is something almost haunting about the digital images that Rick makes, the reality of creating an image of a woman in a fur coat closes in on the mundane and there is nothing instantly sexual about these pictures. Rick reveals no nudity instead we see women engulfed in digital fur usually in domestic situations. The overtly tactile nature to these images with pasted pictures of smoothly photoshopped women’s faces in a virtual setting of a glamourous bedroom or on a ski resort only adds to their surreal nature. There is also a lack of perspective to the images, a woman’s face will be slightly too small or her body will be static in comparison to her background. Most of the time the amalgamation of layers of fur leave the bodies of the women looking even more out of proportion. Theres a complete lack of continuity to the images but it completely adds to their intrigue.
We decided [...]
We are proud to announce that Sang Bleu will be the official media partner of Le Mondial Du Tatouage in March 2015. The tattoo show will run from the 6-8th of March in Paris. We will shortly we announcing our growing involvement with the convention.
Find out more about the convention here
The fashion and fetish image maker extraordinaire Guy Bourdin currently has his biggest ever UK exhibition on show at London’s Somerset House. Guy Bourdin: Image Maker has been curated by academic and curator Alistair O’Neill with Shelly Verthime and the exhibition sees the French photographer’s career carefully laid out for the visitor to see his evolution from amateur painter, protégé of Man Ray to fashion photographer of iconic grandeur of the second half of the twentieth century told through his compulsive creation of images of glamorous women in disturbing scenarios.
Bourdin was known as a photographer doused in a controversial history due to his obsession with fetishising his female subjects in a subtle but almost violent way. This exhibition shows over 100 original prints of some of his most groundbreaking photographs as well as his paintings, polaroid’s, drawings and films. The incomparable glamour of the 1970s woman was catalysed by Bourdin but it was in his genius that he was able to turn this desirable beauty into something twisted and perverse but simultaneously make these images into objects of consumerism.
This exhibition mainly shows his work for Vogue and advertising campaigns for the likes of shoe designer Charles Jourdan, however what was truly fascinating about Bourdin was his ability to create utterly surreal photographs which strayed a million miles away from anything ever invented within fashion photography before.
Often compared to his contemporary Helmut Newton who also reveled in sexualising his models into his own personal fantasy, Bourdin’s images are far more difficult to decipher. The exhibition introduces us to the fact that Bourdin was a protégé of Man Ray which becomes more and more understandable as the exhibition progresses. The similarities between Ray and Bourdin certainly exist within the fetishisation of certain body parts and strange crops [...]
John Waters has just opened his latest exhibition of artworks subverting our contemporary cultures obsession with celebrity at the Marianne Boesky gallery in New York. I was going to write something about it but after reading what Waters’ said about the exhibition to Artforum I realised that no one could really bother saying anything better about it than from the man himself.
“BECAUSE CELEBRITY IS the only obscenity left in the art world, it’s a subject I’ve had to make fun of and use. I titled this show “Beverly Hills John” because I’m in between pictures, and I don’t have a current box office profile in Hollywood. The press release image is me with the worst face-lift you could ever possibly get. I tried to imagine myself as if I’ve lost all reason. Many rich people in Beverly Hills look the same; they’re like one science fiction race. But Beverly Hills isn’t exactly known for having impeccable taste and God knows neither am I, so there’s no put-down—I’m just marveling. All the work in the show addresses Hollywood in some way. I’m dealing with my idols, show business, art business, sexual attraction, racial issues, and tabloids. Witty is always fine in the art world, but is funny acceptable too? It’s a thin line.
Jean Genet has always been one of my idols. The original headstone to his grave was stolen and never found. So I fantasized that I had stolen it and kept it hidden all these years. Of course, what actually happened was I made it for the show. Genet would like it if somebody stole his headstone and sold it, don’t you think? Betrayal was his favorite compliment.
I’ve always had this little eight-and-a-half-inch ruler that [...]
Hugh Sheldon is the London based tattooer who specialises in traditional tattooing bringing in his own edge of precision, angular lines and a kind comforting cleanness to timeless designs. Graduating with a degree in Illustration from Bristol in 2011, he started tattooing two and a half years ago working in his first shop in Cheltenham at No Regrets. Since then he moved to London eighteen months ago when the East London shop Cloak and Dagger opened. Besides from being big fans of his work here at Sang Bleu we are also envious of his exceptional collection of tattoos, so he came to see us at the studio to go through some of his favourites with us.
Eagle, snake and Dragon back piece
I had this back piece finished around a year ago and it took five sessions spanning a year. Valerie is a person who I’ve followed ever since I started getting tattooed because her execution and drawings are amazing so I wanted to dedicate the biggest part of my body to her.
Panther Head and Rose
I got this done three years ago at the London convention and Stuart is probably one of the nicest people that I’ve ever been tattooed by which makes me love the tattoo even more. I’m really attracted to his work because it looks super classic and old. I especially love his colour palette which is so defined to his work.
Hammerhead shark and skull
When I was guesting at LTW in Barcelona in June 2014, Javi tattooed this on me on one of the evenings I was there. I love how bold, graphic and stripped back Javi’s tattoos are, especially the way he creates images [...]
Ever since her teens, Lydia Lunch has been an artist who has celebrated fierce ugliness, excess and confrontation. Intensely charismatic, she has worked with some of the most celebrated musicians, filmmakers and poets of a generation: Vivienne Dick, Nick Cave, Vincent Gallo, Carla Bozulich. A self-proclaimed ‘cattle prodder’ intent on espousing militantly anarchist ideals to inspire those ‘without the time or inclination to read a fucking book,’ we spoke to her about what beauty means to her in her life, performance and music.
You’ve said before that what you believe in comes down to truth, beauty, love and filth…
The basics! As someone who focuses artistically on the negative, the pummeling and brutality that we, as individuals, as women, as human beings, are forced into as this planet becomes more brutarian and arrogant and patriarchal, the only real rebellion is to really embrace beauty and pleasure. To reclaim it with as much vigor as possible. I’m a complete hedonist. I think that hedonism is getting back to the garden, and that’s what women are meant to be: we are physically meant to espouse an essence that is beautiful. I said to the audience at a show a few months ago, ‘you’ll never be as ugly as I am’ and I said it with great glee because extreme ugliness of that sort is also quite beautiful. Beauty is not a shallow thing, it’s all in what you see, how you accept. I always felt like my physicality was a grand cosmic ruse and if you really knew what I looked like it’d be Biggie Smalls or Medusa – a black, 300lb Medusa.
A lot of your work is almost overwhelming, speaks to something instinctual. Your stuff with Teenage Jesus is so full-on and there’s [...]