Our friend, (pretty photogenic) tattoo artist Laurent Maina recently got this amazing headpiece by superstar, tattoo-pioneer Xed. Here he is just outside Rinzing’s Sacred Yantra studio in Lausanne.

Photography © Maxime Büchi

The legend of John Charles Fare (or Faré) is the story of a man who slowly destroyed his own body.

>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>http://www.john-fare.com/

“Sketch by carla (7 years) / tattoo by luna (2 years)/ skin by fuzi (35 years)” taken from FUZIUVTPK’s blog

Elvira: Can’t you stop saying fuck all the time?

Of course, those who work in pain management quite properly want to bring relief to those who suffer unbearably.
Of course, chronic pain is debilitating.
Of course, the effort to find drugs to neutralise the pain are comprehensible and laudable.
…
Is it the transhumanists’ wish to do away with pain that is a curiosity, as it seems to deny–along with so much else–the ordinary experience of being alive?

Above: a leg being taken care of by Thomas Hooper.

elves are practical in most aspects
and the way they think is exactly not like Jesus Christ

prestige classes and power fruit everyone must have a fire
depends on what you attend to or wearing lava

this handsome ghostly image chick coming up to me
she still wore her former chest cavity

looks like you’re wearing a ton take some plate off
do you know that evolution tree where you eat swords

evolve your rogue and bend it to a club
crafting natural arrows seems wrong

you get what you pay attention to
a foot-tall giant around Clock Town

immortality is about accepting queens
look at the bigger picture no destroy it

I don’t want to become a destructive portable weapon
being an assassin is built out of my pants

the battles that lie before us last maybe a minute
arriving with a suitcase Satan doesn’t care

Robert Gardner usually has no storyline for his films, and no clear developmental structures either, only some motifs and a few thematic notions wandering around. His interests are to look for that which is an apt symbol or sign and, at the same time, is “distinctive in and of itself”.
In Hamar, occasionally, a woman will be asked by a man to carry the scars he has earned by killing en enemy, but more frequently they ask them to be done for reasons of their own, and because “women look better with than without them”. (Rivers of Sand, 1973, 83 min)