1. scott’s roses

    February 15, 2010
    by Maxime Buechi

    just because yesterday was nothing but another day
    painted by Scott Campbell


  2. African scarification

    January 2, 2010
    by Jeanne-Salome Rochat

    Thanks to Lyna Ahanda (of Lurve Magazine) for the link!

    The exciting thing about all this is that as it is new it is old and as it is old it is new, but now we have come to be in our way which is an entirely different way.
    –Gertrude Stein


  3. Every time

    December 17, 2009
    by Jeanne-Salome Rochat

    Every time I come home I stand in the doorway and say, “It’s time for a monster to eat me now.” Then it does.

    When I go to bed and pull the covers open, I say, “It’s time for a monster to eat me now.” Then it does.

    Every time I get out of bed I say, “It’s time for a monster to eat me now.” Then it does.

    Every time I leave my home, I say, “It’s time for a monster to eat me now.” Then it does.

    babe2


    Illustration appears in the May 1957 issue of Sexology: Sex Science Illustrated Volume 23 Number 10.

    Text was written by Sam Pink.


  4. A TASTE OF ISABELLA BEETON’S AMAZING BOOK OF NEEDLEWORK

    September 21, 2009
    by Jeanne-Salome Rochat

    Images extracted from Project Gutenberg’s Beeton’s Book of Needlework, by Isabella Beeton

    (This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net)


  5. Hits Of Sunshine

    hits-of-sunshine21

    hits-of-sunshine1

    Today I said goodbye to my conflicted goddess
    Her lush eyes show surprise
    At how we could gather knowledge
    The painting has a dream
    Where shadow breaks the scene
    And the colors run off
    Blue is bashful, green is my goal
    Yellow girls are running backward
    Until the next time, with six hits of sunshine
    The lights will blind us with blues in haiku
    The shadow has a dream
    Where painters look to sea
    And colors burn out
    Now I know where I once saw you
    Stepping into muddy water
    John’s reflection decried perfection
    Now you walk him through the garden
    Waiting in the wings
    Painters shade their dreams
    With falling colors
    See me wave goodbye forever
    Happiness the goddess lover
    Hurry back remember last time
    The hits of sunshine, the hits of goldmine
    I’ll see you back tonight
    Where painters love the light
    And yellow shadow girls
    Today I say goodbye to my complicious goddess
    Her hushed eyes show surprise
    At how we captured knowledge
    I’ll see you back tonight
    Where shadows dream of light
    Let’s slip on outside
    Sonic Youth – Hits of Sunshine (For Allen Ginsberg) appears on the album A Thousand Leaves.


  6. Vera von Lehndorff: I was always being different types of women. I copied Ursula Andress, Brigitte Bardot, Greta Garbo. Then I got bored so I painted myself as an animal.

    I have this old issue of ZOOM magazine from the 80’s and they are featuring a big portfolio of pictures of Veruschka. I have always loved that woman, and recently, someone reminded me of her existence, which made me think I could write a post about her on here.

    Veruschka was the world’s first supermodel, a playmate of Hollywood stars and a pioneer in the art of body painting.

    Veruschka was born in 1939 in East Prussia as Vera Gottliebe Anna Gräfin von Lehndorff-Steinort. For a short time, she enjoyed a wealthy lifestyle residing in East Prussia in a large house on an enormous estate that had been in her family for centuries. Her father was a German count and army reserve officer who became a key member of the German Resistance. When Veruschka was five years old, Heinrich Graf von Lehndorff-Steinort was executed for attempting to assassinate Adolf Hitler in the July 20 Plot. After his death, the remaining family members spent their times in labor camps until the end of World War II. By the end of the war, her family was left homeless.

    She studied art in Hamburg and then moved to Florence, where she was discovered at age 20 by the photographer Ugo Mulas and became a full-time model. Back then tall models were not considered desirable in Paris, but there she met Eileen Ford, head of the prestigious Ford Modeling Agency. In 1961, she moved to New York City, but she did not score any bookings. To stand out, she returned to Munich and told people that she was really from Russia and changed her name to create a mysterious persona, which earned her many bookings. She had also garnered attention when she made a brief five minute appearance in the 1966 cult film Blow Up by Michelangelo Antonioni.

    In the same year, she did her first shoot wearing nothing but body paint, which she would continue to do for years. She once worked with Salvador Dalí and photographer Peter Beard, who took her to Kenya, where she painted herself with black shoe polish to resemble surreal plants and animals in an attempt to “go native”.

    In 1975, she departed from the fashion industry due to disagreements with Grace Mirabella, the newly appointed editor-in-chief of Vogue, who wanted to change her image to make it more approachable to average women. In 1985, she entered the art world, putting on a body-painting show in Tribeca; on her naked body, she was painted with different outfits transforming her into wild animals and several archetypes, such as film stars, dandies, gangsters, and dirty old men. Occasionally, she still appears on catwalks.

    Videos:
    Veruschka in Blow Up
    Veruschka in Africa  with Peter Beard


  7. for the sake of a matter

    May 2, 2009
    by Jeanne-Salome Rochat

    This is a found looped film stock of Croda employees in the late 40s showing off the strength of pure gelatin: How fascinating !

    Ice Cream War from Ross Dalziel on Vimeo.