“All art is erotic” – Adolf Loos Ornament and Crime 1909
Modernist architect extraordinaire Adolf Loos passed away today in 1933, to remember him we are spending our Saturday morning looking at images from inside his masterpiece Villa Müller in Prague designed in 1930. Discarding the opulence of the aesthetic principles of the Vienna Secession, Loos created the most cutting edge and timeless interior and exterior spaces.
Architecture doesn’t get more arousing than this.
(editor note) Today would have marked the birthday of the late Leni Riefenstahl, so to celebrate her stunning work we’ve republished these beautiful and vibrant scans from her book The Last of the Nuba.
A body of work can turn out to be a milestone in an artist’s career. Somehow it might seal this artist’s fate as well as the perception you can have from him / her.
Sometimes it ends tragically as for Pasolini who has probably been assassinated in the aftermath of Salò. At some other time, an inflatable rabbit can transform a trader into one of the most successful contemporary artists. More rarely, it can also be a redemption as with Leni Riefenstahl’s The Last of the Nuba. Published in 1973, this book is documenting the 15 years she spent in Sudan and rehabilitated her artist status.
Many thanks to Lyne Friederich who scanned these images.
Meet Boylita also known as Aaron Kolfage, an enigmatic visual artist and DJ currently living and working in New York. I became familiar with Boylita’s audio work after being introduced to New York pseudo-label and party Shock Value NYC. I later came across her visual work, which she spends most of her time on nowadays, and was immediately drawn to the playful and critical use of vibrant anime aesthetics incorporated to produce abstracted prints and photographs.
It’s no surprise that anime is gaining mainstream traction in the United States especially with online streaming sites such as Hulu and Netflix drawing large audiences with new anime-programming that transgress the boundary of family entertainment. In many ways, anime is a space for discussing and mediating politics of the body and society. It seems much of the appeal of anime stems from its ability to capture and confront the general infantilization of our Internet generation and the general preoccupation with sexed “cuteness” while also being a space to portray and discuss social taboos, affects, and desires tinged on gender and sex. Boylita is the performative embodiment and lens of this space and brings to light the cultural contexts that inform this trend by incorporating the safe representational escapism anime provides for accessing these hidden subjectivities that continue to shape a post-internet identity.
I had the pleasure of interviewing Boylita and getting a better sense of what they’re about and uncovering more about her love of anime amongst other topics:
A lot of your visual work is informed by anime, where does this interest stem from? How specifically does it inform your visual work?
> oh i dunno *smiley face* i just love cartoons. video games, big budget fantasies, anything with amaze sfx, and reality [...]
Primarily known to the internet world by her handle Slowerblack, Canadian tattooer Jenna Bouma has been traveling the world for the last two years, covering people with her distinctively bold handpoked tattoos. Her simple, graphic images of sultry ladies, kuniyoshi cats, and strong reworkings of classic flash are the products of meticulously engineered hand tools that Bouma makes herself, and by simplifying her setup and reducing the level of minute detail, Bouma creates tattoos with a sense of mystery–almost teasing a viewer by suggesting that there is more than meets the eye. Bouma plans to settle down in a city TBD, but until then, she’ll be making appearances in Sweden and Italy with Guy Le Tatooer. We caught up with her before all that to learn more about her background and her work.
Firstly, how long have you been tattooing, and how did you get your start?
I started tattooing on my own accord in 2008. That summer, I moved to Vancouver after having spent my life in Edmonton. I had always been intrigued by tattooing, but I didn’t feel at all comfortable with buying a machine and doing it at home, so I stuck with a stripped-down setup and began making pretty whack tools for stick n poking my roommates. (By “whack,” I mean a pencil end, a needle, thread, a thimble and India ink.) I’d pick up overly expensive packs of nitrile gloves from shoppers drug mart and trot my ass home with a smile on my face, fully ready to get to it. My friends Chad and Colin had both got matching Maple Ridge straightedge tattoos, and another friend Mallory got the Minor Threat sheep on the side of her foot.
When I did those tattoos, I really [...]
Tattooer Tamara Santinbanez’s new book of illustrations named “LEATHER” is now available for pre-order via www.permanentsleeppress.com
Read our interview with Tamara from earlier this year here
It’s Nice That just created a brilliantly to the point interview with fashion photographer legend Hans Feurer about his new book. If you’re not familiar with Fuerer’s lusciously sensual images of women, it wouldn’t be completely surprising as his recently published book is the first ever dedicated to his work, which is strange as his most prominent photographs were made in the 60s, 70s and 80s. However the Swiss born photographer is still producing imagery for some of the most high profile fashion publications at the age of 79. An attention to symmetry and the erotic are often present in Feurer’s work, wet mouths, naked skin being provoked by water or sand and perfect details of women’s body hair repeat themselves in densely vibrant colours usually cropped in an obsessively gorgeous frame.
Enjoy Feuer’s straightforward answers below and Sang Bleu’s pick of our favourite work of his.
Kenzo in the 1980s. I had complete freedom of interpretation.
Your work has only recently been made into a book. How do you feel now when you look back over the photographs you’ve taken over your career?
You’re considered by many as a pioneer of contemporary fashion photography. Do you enjoy seeing your past work referenced in projects by others?
It’s always a compliment for me.
How has your work as a graphic designer and art director influenced the way you take photographs?
It’s all one thing: visual communication.
How has fashion photography changed since you first started out?
Digital techniques have created a huge new opportunity, but for me there is no change.
What’s your most unforgettable memory from a shoot?
A Masai shaman who didn’t want me to take his picture provoked a miniature tornado to appear in front of [...]
Tiril Hasselknippe is a visual artist and a writer based between Oslo and New York, and a new contributor to Sang Bleu.
Rider is a love letter and survival log written for her sculpture show The Shapers at Grünerløkka Kunsthall in Oslo which opened earlier this summer. (July 11.)
Read Tiril’s writing exclusively on Sang Bleu.